My quick rating - 5.5/10. This flick carves out a unique niche in the indie horror space with its bizarre story and dark sense of humor. Following a family of murderous sideshow performers on the dying carnival circuit, the movie thrives on atmosphere and visual appeal but stumbles in storytelling. One of the features of this film that I noticed right away is its dedication to practical effects, which lend a raw, gritty edge to the grotesque world it builds. The visuals are undeniably captivating, creating a surreal, hallucinatory aesthetic that pairs well with the film’s twisted tone. Unfortunately, these hallucinatory sequences occasionally feel tedious, detracting from the narrative's momentum. When CGI is used, it falls short of the film’s overall quality, breaking the immersion created by its otherwise impressive visuals. The quirky characters, played by largely unrecognizable but committed actors, are a strong point. Each performer brings a distinct charm to their role, enhancing the eerie carnival atmosphere. The film’s dedication to its indie roots is commendable, as it represents a clear labor of love from the Adams family who clearly are passionate about horror filmmaking and no, that isn't an Addams Family joke. While the movie isn’t a slasher, it offers a subtler, more atmospheric brand of horror. The twisted ending leaves a lasting impression, though the bizarre narrative sometimes feels more like a loosely connected series of vignettes than a cohesive story. In the end, Where the Devil Roams stands out for its creativity and ambition, offering a step above your typical homemade horror flick. Its dark humor and unique vision make it worth a watch for fans of experimental indie horror, though its pacing and inconsistent effects work may deter others.
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