My quick rating - 4.4/10. We get to follow two documentary filmmakers as they traverse alternate realities in search of the truth behind a missing graffiti artist. Directed by Graham Hughes, the film offers a unique concept but struggles to fully deliver on that potential. One of the biggest strengths of the movie is its creativity. The idea of dimension-hopping is compelling, and Hughes avoids falling into clichés by not titling the film something generic like Haunted Door or Door of the Dead. Instead, it’s an ambitious story with the feel of a larger project trapped inside a shoestring budget. While that ambition keeps you invested, it’s hard not to notice how much the film could have benefited from better resources. The found footage style, which is a hit-or-miss genre, is a downside from the get-go. For fans of cleaner cinematography, this approach might be frustrating. There’s also little science behind the dimension-hopping, so anyone who craves logical explanations for these kinds of plot points will likely feel pissed off. The acting is another weak spot. While the actors put in a valiant effort, the performances lack the polish needed to truly elevate the story. This combined with the low-budget aesthetic makes the experience feel a bit rough around the edges. That said, the movie's ambition and sheer creativity still manage to keep you hooked enough to see how it all ends. It’s one of those films that’s convoluted but still fun in its own strange way. However, the enjoyment mostly lies in a single viewing. It’s not something you’re likely to revisit, but for fans of found footage and experimental indie films, this flick might just be worth checking out.
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